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‘Now You See Me 3’ set to top the box office in its opening weekend
'Now You See Me 3' tops box office in opening weekend
Tving rolls out new current-affairs variety show “Gonaridol: New Step”
Song Ji-hyo warns of legal action over allegations involving father’s unpaid debts
'No Other Choice' wins Best Film at Blue Dragon Film Awards
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‘Bon Appetit, Your Majesty’ tops Netflix non-English TV chart for 2nd week, No. 1 in 23 countries
SEOUL, Sept. 24 (Yonhap) -- tvN drama “Bon Appetit, Your Majesty” has been named the most-watched non-English series on Netflix worldwide for the second consecutive week. According to Netflix’s offici
K-DRAMA&FILM
CGV pulls out of U.S. theater business after 15 years, closes last LA site
SEOUL, Sept. 24 (Yonhap) -- South Korean cinema chain CJ CGV has fully withdrawn from the U.S. theater business, shutting down its last remaining location in Los Angeles after 15 years of operations.
K-DRAMA&FILM
CGV shuts down last LA theater, ending 15-yr U.S. presence
SEOUL, Sept. 24 (Yonhap) -- CGV, a major multiplex cinema chain, said Wednesday it has closed its last theater in Los Angeles, ending its 15-year physical presence in the North American market."After much consideration, we have made the difficu
K-DRAMA&FILM
'Bon Appetit, Your Majesty' tops Netflix chart for 2nd week
SEOUL, Sept. 24 (Yonhap) -- The fantasy romance "Bon Appetit, Your Majesty" has held the top spot on Netflix's non-English series chart for a second consecutive week, the streaming giant said Wednesday.The show garnered 6.5 million vi
K-DRAMA&FILM
Lee Jin-wook recalls past romances for role in breakup-themed film
BUSAN, Sept. 23 (Yonhap) — Actor Lee Jin-wook said Monday he drew on his own past relationships to play the lead in director Lim Sun-ae’s new film Seven O’Clock Breakfast Club for the Brokenhearted, w
K-DRAMA&FILM
Kim Go-eun says Netflix series 'You and Everything Else' offers quiet reflection
SEOUL, Sept. 23 (Yonhap) -- Actress Kim Go-eun said Tuesday her latest Netflix series, “You and Everything Else,” helped her look inward and revisit the meaning of relationships. “The series doesn’t t
K-DRAMA&FILM
(Movie Review) 'Good News' reimagines 1970 hijacking with biting wit, humor
By Woo Jae-yeonBUSAN, Sept. 22 (Yonhap) -- In his latest black comedy, "Good News," director Byun Sung-hyun consistently explores one theme: The other side of the moon always exists, and truth remains stubbornly elusive.The high-flying sa
K-DRAMA&FILM
(Movie Review) 'No Other Choice': Park Chan-wook's grounded, satirical take on capitalism
By Woo Jae-yeon BUSAN, Sept. 19 (Yonhap) -- There are moments when happiness seems to swell to its peak, becoming so complete and absolute that it feels unsustainable. That realization stirs an urg
K-DRAMA&FILM
'I will find a way': Jafar Panahi sends message of artistic freedom at BIFF
By Woo Jae-yeon BUSAN, Sept. 18 (Yonhap) -- Celebrated Iranian filmmaker Jafar Panahi, known for his social critiques and defiance of government censorship and repression, affirmed Thursday his com
K-DRAMA&FILM
(News Focus) Busan's 30-yr journey with BIFF to pinnacle of Asian cinema
By Woo Jae-yeon BUSAN, Sept. 17 (Yonhap) -- Three decades ago, Busan was known for its industrial might and scenic beaches, not for cinematic arts. To most, the idea of Busan hosting a major cultur
K-DRAMA&FILM
‘KDH’ Becomes First Netflix Title to Surpass 300 Million Views, Tops Weekly Chart in Week 13
SEOUL, Sept. 17 (Yonhap) -- Animated film “K-pop Demon Hunters” (KDH) has set a milestone as the first Netflix title to surpass 300 million cumulative views, the streaming giant said Wednesday. Accor
K-DRAMA&FILM
Busan International Film Festival kicks off 30th edition with opening ceremony
SEOUL, Sept. 17 (Yonhap) -- The annual Busan International Film Festival (BIFF) opened its 30th edition Wednesday evening, launching a 10-day run of screenings and events. The festival began at 7 p.m.
K-DRAMA&FILM
Cha Tae-hyun, Lee Yeon-hee to star in ‘Personal Taxi,’ co-produced with Japan’s Fuji TV
SEOUL, Sept. 16 (Yonhap) -- Popular webtoon “Personal Taxi” will be adapted into a mid-form series jointly produced by a Korean production company and Japan’s Fuji TV. Big in Square and Studio Flow, t
K-DRAMA&FILM
Seo Jang-hoon hopes EBS’ ‘Billionaire Neighbors’ runs 300 episodes
SEOUL, Sept. 16 (Yonhap) -- Former basketball star-turned-TV personality Seo Jang-hoon said Tuesday he hopes his new EBS talk show, “Seo Jang-hoon’s Billionaire Neighbors,” will run for as many as 300
K-DRAMA&FILM
Blockbuster filmmaker Yeon Sang-ho explores low-budget filmmaking with ‘The Ugly’
SEOUL, Sept. 15 (Yonhap) -- South Korean film director Yeon Sang-ho, known for hits such as “Train to Busan,” is back with a new project: the low-budget mystery film “The Ugly.” From the start, the mo
K-DRAMA&FILM
'No Other Choice' wins inaugural International People's Choice Award at TIFF
SEOUL, Sept. 15 (Yonhap) -- Park Chan-wook's satirical thriller "No Other Choice" has won the International People's Choice Award at the Toronto International Film Festival (TIFF),
K-DRAMA&FILM
Yeon Sang-ho’s 'The Ugly' unseats 'Demon Slayer' from box office top spot
SEOUL, Sept. 12 (Yonhap) -- Director Yeon Sang-ho’s new film "The Ugly" topped the local box office on its opening day, ending the 20-day reign of the Japanese anime "Demon Slayer: I
K-DRAMA&FILM
Netflix to produce Korean-Japanese crime thriller series 'Road' starring Son Suk-ku, Eita
SEOUL, Sept. 12 (Yonhap) -- Netflix said Friday it will produce an original series, "Road," featuring South Korean actor Son Suk-ku and Japanese actor Eita Nagayama, about a joint investig
K-DRAMA&FILM
Lee Byung-hun becomes 1st Korean actor to win special tribute award at Toronto film festival
SEOUL, Sept. 12 (Yonhap) -- Actor Lee Byung-hun has become the first Korean actor to receive a special tribute award at the Toronto International Film Festival (TIFF). According to TIFF’s official web
K-DRAMA&FILM
Kim Won-hoon says on 'Office Workers': '90 Percent of Lines Are Ad-libbed'
SEOUL, Sept. 11 (Yonhap) -- “The script mostly just sets the situation, and 90 percent of it is ad-lib. Because of the limits of ad-libs and background knowledge, I feel a lot of pressure. I’ve even l
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